Realistic tattoo on a full arm in 3 days without damaging the skin
Discover the process and techniques to create pieces of great size and impact.
★★★★★
183 reviews
1136 students
Sergio Salas
BEST SELLER
157 €
32 Modules:
152 Lessons
Duration:
20h 35m
Instant access:
100% Online
Level:
Medio-Avanzado
Teacher's signed certificate
Additional donwloable material
Subtitles: English, Español, Français, Italiano, Deutsch, Português
Audio: Spanish
Positive reviews: 183
Students:
1136

14-day guarantee, if you're not happy with your purchase, we'll refund 100% of your money. No questions asked. No content display limit.

Information
Teacher

Be the tattoo artist they want to trust in

Have you imagined a thousand times tattooing large pieces and doing a good job?

The world of tattooing is immensely rewarding: the people who lend you their skin, put their trust on your hands. They are looking for you to help them make their dream come true through your work.

And you will earn their sympathy even more if you can make them leave your studio with incredible results and no injuries.

This can be achieved with a lot of practice.

And showing interest in the path that opens before your eyes.

So, you are in the right place! Because in this course you will get fully into the design and tattooing of a large piece in 3 days.

I will teach you how to create large compositions in a realistic style that will captivate even the most demanding clients. And, all this, without damaging their skin!

Don't think twice, all this awaits you in this formation.

It is ideal for you if:
  • You want to learn how to handle realism techniques in black and white for large pieces.
  • You want training in which they explain how to work on tattoos that demand working on them for more than a day without damaging the skin.
  • You feel that you want to offer a better service to your clients and not injure them.
  • You want to acquire tools to create compositions in other styles as well, not just in realism.
  • You are looking for training that deals with the design and composition of large pieces, as well as learning to tattoo for several days.
Later you will get:
  • Tattoo several days in a row without damaging the client's skin.
  • Create large designs for the arm that flow so they don't look meaninglessly meshed.
  • Learn to master greys, whites and blacks to create fine shading.
  • Gain the skills to make a good gradient that you can perfect with practice.
  • Understand how to leave blank spaces to work in your favor.
What does this course include?
1. INTRODUCTION
Presentation
03:10 min
Influences
03:03 min
What are you going to learn?
01:29 min
2. MATERIALS
3. IMAGE AND COMPOSITION
Guidelines to follow on the morphology of the arm
05:53 min
Techniques for realistic tattoos
05:04 min
Selection of image
04:13 min
Production of the photograph
01:19 min
Composition I
04:28 min
Composition II
07:50 min
4. EL CALCO
Elaboration of tracing I
08:55 min
Elaboration of tracing II
06:25 min
Tracing production III
07:54 min
Reference image size I
09:09 min
Reference image size II
04:08 min
How to take a large dimension tracing I
08: 45 min
How to get a large size tracing II
10:05 min
5. HOW TO START TATTOOING
Table setup I
06:14 min
Table setup II
07:15 min
Dilution scheme
-
The blacks I use
03:27 min
Preparation of the work environment
04:25 min
6. TATTOO PROCESS DAY 1
Preparation of the skin
08:04 min
Tracing Bonding I
10:26 min
Tracing Bonding II
04:05 min
Three days of tattooing without the skin suffering
02:38 min
7. ARCH AND COLUMNS
Legend
-
Arch and Columns: Line I
09:41 min
Arch and Columns: Line II
09:49 min
Arch and Columns: Line III
06 :17 min
Arch and Columns: Shadow I
09:51 min
Arch and Columns: Shadow II
07:32 min
Arch and Columns: Shadow III
06:28 min
Arch and Columns: Fill and Marking I
11:24 min
Arch and Columns: Filling and Marking II
09:40 min
Arch and Columns: filling and marking III
08:22 min
Arch and columns: filling and marking IV
09:21 min
-
-
8. LOWER DOME
Dome: Line I
10: 02 min
Dome: Line II
10:03 min
Dome: Line III
10:00 min
Dome: Shadow I
09:21 min
Dome: Shadow II
08:55 min
Dome: Shadow III
09:27 min
Dome: Shadow IV
10:45 min
9. UPPER DOME
Dome: Marked I
09:23 min
Dome: Marked II
09:30 min
Dome: Shadow I
05:42 min
Dome: Shadow II
07:47 min
Dome: Shadow III
09:39 min
10. DOME INSIDE PART
11. DOME
Dome: Closure I
08:08 min
Dome: Closure II
08:42 min
12. PLANET
Planet: Mark & Fill
08:53 min
Planet: Background I
09: 45 min
Planet: Background II
10:40 min
13. LATEST DETAILS
Gloss
08:48 min
Cure
06:15 min
14. TATTOO PROCESS DAY 2
Tracing Paste I
11:09 min
Tracing Paste II
03 :24 min
15. SCULPTURE: BOTTOM PART
Knob I
09:59 min

07:41 min
Knob III
08:23 min
Knob IV
11:58 min
V Knob
12:04 min
VI Knob
11:47 min
Knob VII
11:24 min
16. SCULPTURE : MOUTH AND MUSTACHE
Mouth and Mustache I
10:04 min
Mouth and Mustache II
10:51 min
Mouth and Mustache III
10:01 min
Mouth and Mustache IV
09:54 min
Mouth and Mustache V
10:00 min
Mouth and Mustache VI
10: 47 min
17. SCULPTURE: NOSE
Nose I
09:04 min
Nose II
11:45 min
Nose III
09:48 min
Nose IV
18. SCULPTURE: EYES
Right Side: Shadow
11:37 min
Right eye
10:49 min
Left eye I
09:41 min

10:31 min
Left Eye III
11:13 min
Left eye IV
11:03 min
Left eye V
10:51 min
Left eye VI
11:26 min
19. SCULPTURE: BEARD AND CHEEKBECKS
Beard I
11: 07 min
Barba II
09:37 min
Barba III
10:44 min
Cheekbone I
10:31 min
Cheekbone II
08:50 min
Cheekbone III
07:46 min
Barba IV
08:10 min
Barba V
07:44 min
20. PLANET
Planet I
09:24 min

11:45 min
Planet III
11:20 min
21. LAST DETAILS
Gloss
07:31 min
Cure
06:26 min
22. TATTOO PROCESS DAY 3
Skin Preparation
03:55 min
23. LOWER LETTERS
Lyrics I
10:37 min
Lyrics II
10: 12 min
Letters III
09:20 min
Letters IV
08:27 min
Letters V
08:45 min
24. SKULL: JAW
Lower and Upper Jaw I
08:22 min
Lower and Upper Jaw II
09:50 min
Lower and Upper Jaw III
09:51 min
Upper Jaw and Upper IV
10:04 min
Upper Jaw and Upper V
07:10 min
Upper Jaw and Upper LV
08:42 min
Upper Jaw and Letters I
04:31 min
Upper jaw and letters II
09:19 min
Upper jaw and letters III
10:53 min
Upper jaw and letters IV
09:49 min
25. SKULL: ZONE CENTRAL
Cheekbone & Eye: Lined
04:42 min
Cheekbone & Eye: Fill I
09:40 min
Cheekbone and Eye: Fill II
09:06 min
Cheekbone and Eye: Shadows
Letter Stripe: Marked
05:37 min
Lower Eye
06:25 min
Cheekbone: Highlights and Shadows
05:53 min
Letter Stripe: Fill
10:54 min
26. SKULL: UPPER RIGHT AREA
Tracing on top
02:07 min
Eye and Nose: Outlined
07:57 min
Eye and Nose: Outlined
10:44 min
Upper Eye: Filler I
08:19 min
Upper Eye: Filler II
05:24 min
Foreground: Fill
10:25 min
Gradients
06:11 min
27. SKULL: UPPER CENTRAL AREA
Nose and forehead: marked
05:26 min
Nose: fill
07:00 min
Front: fill
09:43 min
Skull crack and shadows
08:08 min
28. SKULL: UPPER LEFT AREA
Skull and letters
11 :12 min
Background I
10:04 min
Background II
08:34 min
Background III
09:16 min
Background IV
10:42 min
29. LATEST DETAILS
Shine
07:49 min
30. CURATION

07:13 min
Understanding Skin
03:51 min
Summary and farewell
01:21 min
31. BONUS
Tattoo Composition I
05:49 min
Tattoo Composition II
08:27 min
Tattoo Composition III
05:36 min
Tattoo Composition IV
05:59 min
Tattoo Composition tattoo V
08:17 min
32. FINAL PROJECT
Quiz
-
Certificate
-
Course images
Materials you need to start with

Good work tools are those that provide you with superior quality in your projects, along with your knowledge. Therefore, write down what you need and practice a lot!

To carry out this training you will need these materials:

  • Tattoo machine
  • Inks
  • Tattoo needles and cartridges
  • Thermocopier
  • Other materials that will complete your team
Teacher
Sergio Salas
Tattoo artist specialized in black and white realism.

My name is Sergio Salas and I would love to teach you how to tattoo.

Ever since I have memory, I remember my father tattooing. Ink has always been present in my life!

But I was also interested in art since I was a child: I draw since I can remember.

At the age of 15 I already started learning, tattooing some friends at home. At age 18 I made my way professionally in Grial Tattoo. But my career accelerated the following year, when I started going to national, European and American conventions.

I've had the pleasure of learning from other artists, absorbing knowledge. I have perfected my technique over all these years. I did it until I found my style, a theme in which I feel comfortable:

Black and white realism tattoo.

If you feel the same passion as me for the tattoo world, you are in the right place: together we will create a large composition for the arm, that you will learn to tattoo without leaving wounds!

Reviews

Candid video opinions from students who have transformed their lives.

Close-Circle
Alfredo Evangelista
España
Color realistic portrait tattoo
"The price is phenomenal, accessible to anyone. I have realized many techniques too need to be perfected."
Alfredo Evangelista
España
Color realistic portrait tattoo
"The price is phenomenal, accessible to anyone. I have realized many techniques too need to be perfected."
Close-Circle
Ever Duque
Nueva York
Realistic portrait tattoo
"Totally recommended for everyone who wants to take a new step, apply a new technique and grow as an artist."
Ever Duque
Nueva York
Realistic portrait tattoo
"Totally recommended for everyone who wants to take a new step, apply a new technique and grow as an artist."
Close-Circle
Yam Vega
Cuba
Realistic portrait tattoo
"I liked it from the first moment I saw the course for sale and didn't hesitate to get it, it is too complete and everything is detailed."
Yam Vega
Cuba
Realistic portrait tattoo
"I liked it from the first moment I saw the course for sale and didn't hesitate to get it, it is too complete and everything is detailed."

See more testimonials from Habbility →

Customer Reviews

Based on 183 reviews
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94.9
A
Anónimo (Madrid, ES)
Seminario sergio salas

Estoy haciendo el seminario de blanco y negro de Sergio Salas y me parece increíble y completísimo!!! Llevo tatuando varios años realismo en blanco y negro y con este seminario estoy pillando muchos tips y puliendo bastante mi técnica

D
Drex (Irving, US)
Muy buen curso

Los cursos son muy bien explicados, los artistas son excelentes y la metodología que utilizan hace que sea más fácil aprender… vale mucho la pena la inversión

I
Ivan (Gandia, ES)

muy bueno

j
joel Marmolejos (Boston, US)

mucha informacion importante que necesitaba saber muchas gracias muchas de mis dudas an sido aclarada .

J
Joseph Galvin (Grovetown, US)
Great courses

!!!!!Very Happy indeed!!!!

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