Microrealism tattoo: Create your own composition
Become an expert in microrealism, mastering volume, textures and fine line.
★★★★★
9 reviews
228 students
María Álvarez
NEW
97 €
18 Modules:
73 Lessons
Duration:
09h 23m
Instant access:
100% Online
Level:
Half-Advanced
Teacher's signed certificate
Additional donwloable material
Subtitles: English, Español, Français, Italiano, Deutsch, Português, +32 languages
Audio: Spanish
Positive reviews: 9
Students:
228

14-day guarantee, if you're not happy with your purchase, we'll refund 100% of your money. No questions asked. No content display limit.

Information
Teacher

Complex compositions that allow you to work on many aspects

In this seminar you are going to get serious with composition, microrealism, fine lines and geometries.

Sometimes creating a small size tattoo can seem too complicated.

Condensing a lot of information into a small size is overwhelming, especially if you try to keep theharmony, thefine line subtletyandconnect all the pieces.

In addition, it is useless to have a good technique without knowing what composition you are going to give to your piece or vice versa, you need those skills to feed back.

WithMaria Alvarezyou will learn to work unique designs that include themicrorealism, theend line, thegeometriesand differenttextures.

All this tied with a touch of concept art in a tattoo with a very special composition: a hand holding a light bulb, surrounded by different elements.

Ready to learn and perfect different key points of a tattoo technique?

Come on, get into a micro-realistic composition with complex elements!

It is ideal for you if:
  • You already have experience in the world of tattooing and it is time to dive into the field of microrealism to become a professional in this style.
  • You want to understand how to condense information in a small space and that the piece is of quality.
  • You are looking to learn to work compositions of various elements in small tattoos, making the whole coherent and harmonious.
  • You are tired of always tattooing the same thing and you want to add creativity to your work with an original design.
  • You want to find that balance between giving free rein to your creativity and the personalization of the client himself in his tattoo.
  • You are looking for tools and methods with which to make a better quality micro-realistic tattoo, without getting stuck when the reference images fail.
Later you will get:
  • Dare with tiny tattoos: you will be able to face the representation of a large image in a small size to obtain a clear, condensed and spectacular result in a few centimeters.
  • learn to prioritize: you will understand how the elements of a tattoo are intertwined, where they should go and which ones to work on first. With the connection between the different figures you can transmit a lot of information in a little space.
  • Pay attention to the proportions: you will learn to read the body, understanding which design can best adapt to its shapes, working on a quality composition in which information is not lost.
  • master textures: you will be able to understand the method to create different textures, both solid and transparent, providing a unique detail to the piece.
  • the human figure: You will work human elements such as the shape and texture of the skin in the tattoo.
  • The importance of the fine line: you will be able to incorporate the subtlety of fine lines into your tattoos, making the design feel light. I will teach you the tricks so that the line lasts over time.
  • Understand geometric elements: you will learn to work volume and depth in different ways that will serve to give your composition greater realism and interest.
  • Get out of art block with AI: When your reference image is incomplete or doesn't look right, you'll have resources to say “yes” to that work, such as relying on AI to generate references or completing ideas with other images.
  • Versatility that allows you to create: By mastering different techniques and elements, I will teach you how to generate unique compositions without stagnating or overwhelming yourself, giving free rein to your creativity.
What does this course include?
1. INTRODUCTION
What are you going to learn
01:57 min
Presentation
02:08 min
Influences
07:48 min
2. MATERIALS
List of materials
-
Materials
05:58 min
My needles for microrealism I
09:19 min
My needles for microrealism II
10:03 min
My needles for microrealism III
03:12 min
3. MICROREALISM
What is microrealism
09:25 min
How to apply microrealism
03:50 min
4. TECHNIQUE

04:55 min
Learn to make lines I
10:16 min

05:44 min
When to use white
10:11 min
Shading or line depending on the tattoo
06:35 min
5. THE SKIN
Use of anesthetic creams
08:25 min
6. THE CLIENT
Reference photograph
10:12 min
Understand the client's idea to do a good search
10:04 min
7. DESIGN
Adaptation of the design to the area
08:46 min
How to create harmony
08:54 min

04:45 min
Design creation
11:14 min
8. TRACTING
Preparation of the tracing
06:54 min
Size test
Printing the tracing
06:05 min
Placing the tracing
08 :57 min
9. WORK TABLE
Preparing the table I
11:34 min
Table preparation II
06:37 min
Inks and dilutions
05:14 min
10. BEFORE YOU START
Structure and evaluation of the tracing
02:54 min
11. EYE
Legend
-
Line: geometry of the eye
09:49 min
Marking and filling: eye I
07:19 min
Shadow and volume: eye
10:28 min
Marking and filling: eye II
09:25 min
12. FEATHERS
Marking: right pen
05:38 min
Line: left pen I
09:38 min
Line: pen left II
09:37 min
13. GEOMETRIES
Line: geometric figures right I
09:37 min
Line: right geometric figures II
08:28 min
Line: word
10:16 min
Line: superior geometry I
09:12 min
Line: superior geometry II
08:04 min
Line: higher geometry III
06:30 min
Learning assessment
-
14. CENTRAL PART
Fill: brushstroke I
10:03 min
Fill : brush stroke II
10:46 min
Marking and filling: hand I
06:38 min
Line : lower rectangle
08:16 min
Marking and filling: hand II
09:25 min
Line : top rectangle
10:15 min
Marking and filling: hand III
10:14 min
Volume : hand I
11:25 min
Volume: hand II
09:49 min
Volume and marking : hand and light bulb I
08:36 min
Volume and marking: hand and light bulb II
09:50 min

08:50 min
Marking: light bulb
11:46 min

09:00 min
Line and fill: light bulb II
09:45 min
Volume and marking: hand and light bulb IV
09:30 min
Volume: hand and light bulb I
08:09 min
Volume: hand and light bulb II
10:24 min
Texture and volume: hand and light bulb
06:58 min
LATEST DETAILS
-
Details I
10:26 min

05:31 min
Whites I
11:43 min
Whites II
09:14 min
15. THE PHOTOGRAPHY
Cleaning for the photo
02: 07 min
Photography
04:34 min
16. CURA
Cura
03:00 min
Summary
02:03 min
17. BONUS
How to complete incomplete images
10:16 min
18. FINAL PROJECT
Questionnaire
-
Course images
Materials you need to start with

To tattoo you must have the necessary technique, but also know how to compose your design. It is something that feeds back. That can only be achieved by practicing. To that end, you should get the best material.

To do this seminar you will need the following materials:

  • tattoo machine
  • inks
  • Tattoo needles and cartridges
  • thermocopier
  • Other materials that will complete your team
Teacher
María Álvarez
Tattoo artist specialized in Microrealism and Concept Art.

I am going to be your teacher.

I am María Álvarez, a tattoo artist specialized in microrealism and concept art.

With me you will lose your fear of small tattoos.

Although I did my first doodles when I was only three years old, I started tattooing self-taught in the third year of university.

The first contact with the tattoo was frustrating, so I forgot about it. But the following year, I returned to the ring.

As an apprentice in a studio, things began to change.

My studies as a designer help me understand shapes and volumes. Having traveled both nationally and internationally during these years, participating in conventions and meeting leaders in the sector, has given me an enormous perspective.

Because of this, I now understand that the need is to master really good the microrealism technique if what you want is to lose your fear of placing lots of information in small space.

Reviews

Candid video opinions from students who have transformed their lives.

Close-Circle
Alfredo Evangelista
España
Color realistic portrait tattoo
"The price is phenomenal, accessible to anyone. I have realized many techniques too need to be perfected."
Alfredo Evangelista
España
Color realistic portrait tattoo
"The price is phenomenal, accessible to anyone. I have realized many techniques too need to be perfected."
Close-Circle
Ever Duque
Nueva York
Realistic portrait tattoo
"Totally recommended for everyone who wants to take a new step, apply a new technique and grow as an artist."
Ever Duque
Nueva York
Realistic portrait tattoo
"Totally recommended for everyone who wants to take a new step, apply a new technique and grow as an artist."
Close-Circle
Yam Vega
Cuba
Realistic portrait tattoo
"I liked it from the first moment I saw the course for sale and didn't hesitate to get it, it is too complete and everything is detailed."
Yam Vega
Cuba
Realistic portrait tattoo
"I liked it from the first moment I saw the course for sale and didn't hesitate to get it, it is too complete and everything is detailed."

See more testimonials from Habbility →

Customer Reviews

Based on 9 reviews
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A
A.M.M. (Madrid, ES)
Muy buen curso

Me parece un curso muy completo, capaz de resolver muchas dudas sobre las agujas y voltaje sobre todo con la línea fina. Lo recomiendo sin duda.

M
Mi Casa Mi Casa (Rockville, US)
De los mejores cursos

Me gusta mucho que todo es muy específico y explican lo que realmente se necesita

G
Guillermo daniel valdepeña (Las Vegas, US)
Grandioso!!

Gran conocimiento se va adquiriendo al mirar los videos, son muy bien explicados, detalle a detalle

O
Oriana Pestana (La Orotava, ES)
Muy buen seminario

Todo muy bien explicado y detallado, información de técnicas y materiales, muy completo.

I
Isabel Ortiz Castiglioni (Barcelona, ES)
excelente

Me esta gustando mucho el seminario, lo explica todo detalladamente y se puede ver a la perfección todos los pasos, enfoque a la hora de trabajar las líneas y tipo de material que se usa en cada momento.

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